Antoine Coypel

1661-1722 French Antoine Coypel Location Antoine studied at the Coll?ge d Harcourt and then trained in his father studio and at the Academie Royale. In 1672 No Coypel was made Director of the Academie de France in Rome, and Antoine, who accompanied his father to Italy, benefited from the education given to the students there. He also joined in their long sessions spent copying Raphael frescoes in the Vatican Loggie and the works of the Carracci and Domenichino in the Palazzo Farnese. He met Giovanni Lorenzo Bernini and Carlo Maratti and was awarded a drawing prize by the Accademia di S Luca. During his return journey Antoine stopped in northern Italy to study the works of Correggio


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Antoine Coypel Philippe Coypel oil


Philippe Coypel
Painting ID::  79805
Philippe Coypel
1732(1732) Medium Oil on canvas Dimensions Height: 75 cm (29.5 in). Width: 61 cm (24 in). cyf
   
   
     

Antoine Coypel The Swooning of Esther oil


The Swooning of Esther
Painting ID::  87366
The Swooning of Esther
Date c. 1704(1704) Dimensions Height: 105 cm (41.3 in). Width: 137 cm (53.9 in). cjr
   
   
     

Antoine Coypel Democritus oil


Democritus
Painting ID::  90122
Democritus
Democritus. Oil on canvas, 69 x 57 cm. Musxe de Louvre, Paris. Date 1692(1692) Dimensions Height: 69 cm (27.2 in). Width: 57 cm (22.4 in). cyf
   
   
     

Antoine Coypel The Swooning of Esther oil


The Swooning of Esther
Painting ID::  92190
The Swooning of Esther
Oil on canvas, 105 x 137 cm cyf
Oil_on_canvas,_105_x_137_cm cyf
   
   
     

Antoine Coypel Coypel oil


Coypel
Painting ID::  93309
Coypel
17th century Medium oil on canvas cjr
17th_century _ Medium_oil_on_canvas _ cjr
   
   
     

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     Antoine Coypel
     1661-1722 French Antoine Coypel Location Antoine studied at the Coll?ge d Harcourt and then trained in his father studio and at the Academie Royale. In 1672 No Coypel was made Director of the Academie de France in Rome, and Antoine, who accompanied his father to Italy, benefited from the education given to the students there. He also joined in their long sessions spent copying Raphael frescoes in the Vatican Loggie and the works of the Carracci and Domenichino in the Palazzo Farnese. He met Giovanni Lorenzo Bernini and Carlo Maratti and was awarded a drawing prize by the Accademia di S Luca. During his return journey Antoine stopped in northern Italy to study the works of Correggio

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